See CJ write

I’m lucky, and I know it. At 32 years old, I’ve spent nearly seven years already working in my “dream job.” I decided I wanted to work in magazines as a young child, and my position as managing editor of Birmingham magazine really has lived up to my hopes and dreams.

And I’m honored when others ask me for advice for finding work in the field. On Aug. 8, I’ll be one of several editors on hand for a “Meet the Press” mixer. This event is hosted by the local women’s writing group See Jane Write, and you can learn more about it here.

Because of my involvement with the event, SJW Founder Javacia Harris Bowser interviewed me for a profile in the current edition of the organization’s online magazine. I love talking about my work, and I’m looking forward to this event!

Carla Jean Whitley knew she wanted a career in magazines when she was only 10 years old. But she started her journalism career in newspapers, working at The Tuscaloosa News, The Cullman Times, and The Birmingham News – all Alabama-based publications.

“I can’t say enough about how valuable my newspaper experience was,” Whitley says. “I had a chance to write, copy edit, line edit and design.

Still her magazine dreams were alive and well.

–Read more “Carla Jean Whitley’s ‘dream job’ at Birmingham magazine paves way for book deal.”

This entry’s title is inspired by the organization See Jane Write. In case you hadn’t already figured that out.

You laugh, you learn

I like variety. While it wasn’t the initial reason I was drawn to journalism, it’s certainly one of the perks. My job requires me to develop a wide range of skills while reporting and writing about any number of topics. It’s immensely satisfying work.

And for four years, that work has also included managing interns. I had a wonderful experience as a Birmingham magazine intern back in 2004, so I knew both how much value they could offer the publication and how much students could learn in the process. But the magazine’s internship program had fallen by the wayside.

After convincing my then-boss to let us resurrect the program, a colleague and I quickly set about finding our first intern. Over time, the program has become increasingly competitive and the skills students bring change. One thing remains the same from semester to semester: I’m so lucky to be these students’ boss.

I learn something new every semester because these kids bring so much variety themselves. I try to assign them work that will help them attain their career goals while teaching them as much as I can about magazine publishing. They’ve taught me so many lessons: how to be a better boss, how to guide a student or writer to the “a-ha!” moment, how to teach AP style, how to be patient, how to help someone develop time-management skills without micromanaging them, how to plan my days and tasks so that I have plenty of time for them, how to be a professional reference, how to encourage them through challenging times in the industry–and so much more.

This semester’s interns brought yet another experience. Traditionally, I have two students at a time. They work part-time and share a desk, so their schedules don’t overlap.

But this summer, I shared a full-time intern with another department and also managed a part-time intern. As a result, they not only got to know each other, they worked together on a number of tasks. And the resulting teamwork was a beautiful thing. I didn’t have to walk them through collaboration; they naturally turned to each other and worked to figure out the best solution to any assignment.

That was even so in moments when they could have instead aimed to see who could be the best; when I asked them both to come up with a head and dek for a specific story, they worked on it together rather than trying to see whose would end up in print.

These students turned to each other time and again throughout the summer, cheering each other on and lending a hand when the other needed help or feedback. As one prepares to return to school and the other faces a commencement march, I feel something akin to the pride of a parent. I can’t wait to see what’s up next for these young people.

This post is dedicated to Bennett Sumner Rolan, Sarah Kate Boltz, Blake Tommey, Molly Folse, Emily Etheredge, Laura Sibley, Katie Brizendine Jackson, Lindsey Shelton, Clair McLafferty, Lauren Sharpe Denton, Jena Hippensteel, Stephanie Brumfield, Lauren Schneider, Meg Bowden, Jared Downing, Sarah Waller, Jessilyn Justice, Katie Stewart, Rachel Freeny, Steven Katona and Melody Kitchens. I am so honored to have been a part of your lives.

The title of this post is taken from Alanis Morissette’s “You Live, You Learn.”

The dream that you wish will come true

I’m a writer. I’ve considered myself a writer for as long as I can recall. And so, I’ve dreamed of writing a book for as long as I can remember.

That dream–probably my wildest–is being granted, and I was thrilled when my local coffee shop/bookstore asked me to write about the process for their excellent blog, Postscript. I’ll be contributing to that blog during the next eight months as I research and write, and I’ll likely continue to share as the book goes to press and author events begin. 

I hope you’ll join me on the ride.

The other week I received a thick envelope from my publisher. My signed contract was inside.

 

And now, I have to write a book.

Read more “The First Chapter: Walking through Publishing with Future Book Author Carla Jean Whitley.” 

 

Today’s subject line is from “A Dream is a Wish Your Heart Makes,” because Disney songs are always appropriate.

Magic City, Heart of Dixie, Dirty South, U.S.A.

Last week, Birmingham magazine won the national City and Regional Magazine Award for redesign.

I cried.

Image

 

It was the culmination of several years’ of hard work and changes. I’ve been at Birmingham magazine for six-and-a-half years now, and two years prior to joining the staff, I spent four months as an editorial intern. I have a lot vested in this publication, and so the recognition was incredibly meaningful to me.

I was part of the team involved in the redesign, but perhaps more importantly, I’ve been with the magazine through several years of significant changes. We’ve seen several changes in ownership; in the magazine’s 48th year, the Birmingham Regional Chamber of Commerce merged with the Metropolitan Development Board to form the Birmingham Business Alliance. One month prior to the magazine’s 50th anniversary, Birmingham magazine was purchased by the Birmingham News Multimedia Co. Last summer, that company became part of the newly formed Alabama Media Group. Like any company, we’ve also seen a variety of staffing changes through the years. Many of these changes have been positive, but all change comes with a learning curve. So I was particularly thrilled to see our work recognized at the national level.

What surprised me was the way others reacted. When a colleague posted the photo above on the magazine’s Facebook page, it quickly received 150-plus “likes” by our followers. When I posted another image on my Facebook timeline, more than 100 of my friends hit the like button. The ad agency with which we partnered shared it on their timeline, and nearly 50 people liked it. Everywhere I went last week, I received congratulations: from readers, from friends, from family, from contributors.

It reminded me of why my work matters, and why I’m so passionate about it. I fell in love with writing as an elementary-school student. I didn’t turn to it as a career for the same noble reasons that attract so many others; I wanted to be a writer because I like writing, and because I like seeing my work in print.

But during the course of my years in the field, I’ve also realized what value there is in sharing stories with the community you serve. That first hit home for me when I was at the Tuscaloosa News, writing about a young girl with a brain tumor. After another child saw my story, she decided her lemonade stand should raise money for the sick child. That day, she raised more than $1,000.

The way I perceive the communities I serve has changed, as well. While working as a reporter in Tuscaloosa, I grew to love the city more than I had as a student. Reporting means I get to know the people who shape a community while listening to the community’s concerns. That has remained true as I went on to work in Cullman and, for the past seven years, in Birmingham.

The conference that was capped by this awards ceremony encouraged me and provided more insight into how to create a magazine that tells my city’s stories. And my city’s response to the award reiterated that people care about those stories. I’m so fortunate to call this my life’s work.

The subject line comes from Lee Bains III & The Glory Fires’ “Magic City Stomp.” I woke up this morning with their music in my head, and it’s awfully appropriate: The band members are from Alabama, and Bains currently lives in Atlanta, where we received this award.

“Everything is copy.”

That’s the lesson that the parents of one of my favorite writers, Nora Ephron, taught their daughter. They were screenwriters, and Nora rebelled by becoming a journalist. (Later, she ended up a screenwriter, too. And an essayist. And a novelist.)

So when I spontaneously decided yesterday to complete a two-day juice cleanse, of course I decided to write about it. You can read about my journey this weekend at Birmingham magazine’s website.

And don’t worry, Mom and Dad. If I feel badly, I’ll eat.

Leaving a Legacy

A couple of years ago, my roommate was working on a five-year plan. The idea frightened me: What should my goals be? Where did I want to reside? How would I get from point A to point B?

I’ve achieved most of my career goals earlier than I expected. When I worked in newspapers, my aim was to report for the Birmingham News by the time I turned 30; I started work there the month before I hit 25. I interned at Birmingham magazine while I was in grad school, and when I left I thought it would be a great job if they were ever hiring. Tomorrow is my six-year anniversary. After I’d been at the magazine for a while, I knew I wanted to become managing editor someday. I assumed that role in July 2009 (days after my 28th birthday).

Now, my career goals focus more on what the magazine can achieve than what I can achieve. We were finalists in the general excellence category for the 2011 City and Regional Magazine Association awards, and I literally danced with joy around Urban Standard when I found out. Earlier this month I submitted for the 2012 awards, and I can’t wait to find out if we’ll be finalists in any categories this year. (Finalists are announced in the spring, and the winners are announced at the conference in May 2013.)

My copy of "Fading Ads of Birmingham" was the first that author Charles Buchanan and photographer Jonathan Purvis autographed. (Photo by Carrie Beth Buchanan)
My copy of “Fading Ads of Birmingham” was the first that author Charles Buchanan and photographer Jonathan Purvis autographed. (Photo by Carrie Beth Buchanan)

And, OK, I do have some career goals left on the table: Someday I want to see my byline in Esquire and the New York Times Book Review, and I want to write a book, like almost every other writer out there. (Yesterday I saw the fruits of another dream come to life: Charles Buchanan, who I hired in 2010 to write an article about the “ghost signs” in town, has published a book on that subject. The publisher approached him after the Birmingham magazine article. I am ridiculously proud to have made some small contribution to this book.)

However, I’m no longer willing to compromise my personal life to achieve those career goals. For years, work came before everything else. You know you have a problem when you work in a 17-story building that includes multiple law offices, and yet the security guard recognizes you well enough to lecture you about working too much. I love my job, and I work hard. But my work isn’t the primary mark I want to make on this earth.

While discussing this with a friend about a year and a half ago, he asked me a few simple questions: “What neighborhood do you want to live in? What do you want to be known for? What does your life at home look like?”

My answers were equally straightforward. I want to live in Birmingham. I want to be known for caring about people. I want to have a family (whether that’s a husband or a husband and kids–we’ll see). As I said to that friend then, “I’m more concerned with the quality of my work than the details of it. I want to do something that’s meaningful to me. (I’m) more concerned about caring for people than having my name recognized.”

In recent years, I’ve gotten better at maintaining that balance, but I believe I’ll walk that tightrope for the rest of my life.

The 13th #bloglikecrazy prompt was about leaving a legacy. I am slowly but surely working my way through these topics!

Dear Sir or Madam, will you read my book?

Step one in becoming a writer: Pick up your pen.

Or your keyboard. Or your smartphone. Whatever. Grab your typewriter if it makes you feel good. Just start writing.

Step two: Write some more.

You know what they say about practice, and while I don’t believe “perfect” writing exists, you’re only going to get better by writing, writing, writing.

Step three: Read good writing.

Yes, it can be overwhelming, humbling, to read a great work. I often think, “Who do I think I am? What do I have to offer compared to this?” and I know I’m not alone in that. But reading good writing can also teach you an awful lot about what good writing is, and that’s essential if you’re going to craft such work yourself. Pay attention. Notice what you like about it, and study how the writer got there. If it’s a journalistic piece, consider the questions the reporter may have asked to uncover those details. Heck, if you think the writer may be accessible, reach out to them and ask what went into the piece.

Step four: Find a good editor.

Even a very good editor needs an editor. This is something of a mantra around my office, and I’ve read too many books and article where a good editor could have elevated a piece from passable to masterful. Find someone who can offer you honest insight into your work, who isn’t afraid to give you constructive criticism that will help you fine tune a story. And pay attention to the changes they make–these will help you learn and improve for the future.

Step five: Repeat.

Today’s title is the first line of the Beatles’ “Paperback Writer.” The 11th #bloglikecrazy prompt was to write a how-to entry. I think my past interns and students could attest that this is advice I offer frequently!

So Mom, tell me the stories about my history

I’m one of the lucky ones. When I was 10 years old, I decided I wanted to become a writer because I was more excited by writing essays than watching TV after school. I followed a traditional path, filling dozens of journals, writing for school newspapers and yearbooks, earning a degree in journalism. In May 2005, I entered the field of my dreams. Even as my pen earns my paycheck, I fill free time with writing and reading.

My parents always encouraged and embraced my love of words; I learned to read at age 4, and I’m convinced that was in part because of how much my mom reads. I’ve read myself to sleep nearly every night since (with music, my other great love, playing in the background). Their affirmation has come without regard for higher-paying careers, and in spite of my mom’s long-held fear that my career will carry me to New York City. (Daddy still hopes I’ll write the Great American Novel and fund his retirement. I’ll join him in that dream!)

I thought of this today as I read “So Your Child Wants to Be a Poet,” an entry in the New Yorker’s book blog, The Book Bench. One of my sisters–who fulfilled Mom’s fears years ago with her move to NYC–and I recently agreed that we hit the parent jackpot. Not every child does. I’m grateful for parents whose love and support continue to enable me to chase my dreams.

Today’s subject line comes from “Kankakee” by Andrew Osenga.

Learn to labor and to wait

Though my words here become digital, I titled this blog “ink-stained life” because I have literally surrounded myself with words. Like most writers, my bookshelves overflow with work I admire and books I hope to eventually read. (I’m a book hoarder.) Magazines are piled in nooks throughout my house–on the coffee and end tables, yes, but also in drawers, nightstands and under a bookcase. Most of the art I own is letterpress, with messages I believe in: a line of poetry from Henry Wadsworth Longfellow, a message of hope for a recovering community, a simple reflection on good coffee. My bedside lamp is even topped with a shade covered in calligraphy (though I think it’s in French–I certainly can’t read it!).

My point is, I firmly believe in the value of communication. It’s not just a job, it’s life. But tonight, my challenge is to condense one form of that communication into a 50-minute presentation.

I’m speaking Friday to a group of high school students at a journalism conference. I love this kind of thing, partly because I wish I had sought out more opportunities when I was growing up. I’ve wanted to be a writer since I was 10 years old, and I feel like I’m a lucky one: I make a living doing what I set out to do.

So I’m thrilled to teach these kids about feature writing. But tonight, I’ve lost myself in Pulitzer Prize Feature Stories and tried to avoid The Best American Magazine Writing 2002 (simply because there are too many tempting stories within, and I eventually need to go to bed). I’m overwhelmed by all there is to teach, and all I have still to learn by reading and studying work by people like Alice Steinbach, Chris Jones, Anna Quindlen.

Then, that’s exactly why I agree to speak at events like this. I want these kids to know the joy that comes from reporting, writing and improving.

Today’s subject line comes from Henry Wadsworth Longfellow’s “A Psalm of Life.”

Here’s to questions that meet their answers

I love Nora Ephron’s work. Nearly everyone who knows me knows how much I adore her movies–or if they don’t know, they surely wouldn’t be surprised by it. I love her work so much, in fact, that I spent last night cooking and mentally singing the soundtrack to You’ve Got Mail. (OK, she didn’t write the soundtrack. But Nora Ephron’s movies are the sort that have soundtracks that stick with me. So there’s that.)

Even so, I can certainly manage a giggle when a writer I admire makes a gaffe in a column. That’s one of the dangers of columns, isn’t it? Your words are intended for what’s hot that day or that week. They may not hold up over time.

The general sentiment of “How to Write a Newsmagazine Cover Story” (Esquire, October 1975, reprinted in Scribble Scribble: Notes on the Media) passes that test. It’s a snarky instructional guide on how to become a writer. (“Reporters have to learn how to uncover FACTS. This is very difficult to learn in your spare time. There are also serious journalists. But serious journalists have TALENT. …”)

Ephron mercilessly pokes at Time and Newsweek writers, listing example after example of how to do as they do. (“Find a subject too much has already been written about.”) “Try, insofar as it is possible, to imitate the style of press releases.”) And the column is very funny.

But it’s also funny to watch one of my heroes, whose screenplays so accurately depict relationships, step so far afield. Rule No. 2 in this how-to guide is “exaggerate the significance of the cover subject.” As with each rule, Ephron includes examples from news magazine cover stories. In this case, those include Liza Minnelli, Francis Ford Coppola and Lauren Hutton.

You know what they say about hindsight. I only hope seeing a great writer like Ephron’s mis-predictions will someday help me take my own in stride.

I also love Esquire so much that I recently forced a copy, featuring a half-naked Brooklyn Decker on the cover, into the hands of a date. “Read this,” I told him. “It’s brilliant.” That may qualify me for “best date ever” status, don’t you think? He emailed two days later, after reading it cover to cover, and affirmed my taste in magazines.

Oh, and the entry title comes from Tara Leigh Cobble’s “Here to Hindsight.”